Different cities, one soul.

While walking in the city of Madaba last month (South of Jordan), I’ve stumbled upon the signage of this tailor shop, it says: أزياء بندلي Bandali’s Fashion, the usage of the Diwani script in this charming way that shows freedom and appreciation to smoothness and details, it definitely made me loves the signage and sees the clear connection with the tailoring craftsmanship.

And, last night, I was walking in the city of Al-Khobar (Eastern province of Saudi Arabia), 1,642 KM away from Madaba, I’ve found this beautiful sign, which says: رند Rand, and it happens to be the exact same style as the Bandali’s Fashion, and the stunning thing was: Another tailor shop! Wow..

I’m not sure if they were made by the same signmaker, I doubt.. I asked the shop owners in Al-Khobar and they have no idea who’s done the sign for them, while in the one in Jordan was closed when I photographed it. Nevertheless, I’m so glad that I’ve spotted those two gems in two different Arab cities, but with one soul for sure. It’s a proof that there are many things to unite us.

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ELHARF Tour

I’ve guided the design and crafts tour during the 2nd edition of Amman Design Week, the title of the tour was named after my new established project: ElHARF, which will be the home of calligraphy and Arabic visual arts.

The tour started from Calligrapher Shehadeh Haroun’s shop, to meet him and learn from his experience in silkscreen printing, Haroun still using the old-school methods that he acquired from the sign painters of Damascus once he was there 50 years ago! I’ve collaborated with Haroun to produce the English lettering of Amman Design Week, and to demonstrate the essential skills and give some funny tips for the tour members.

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Old photos of Amman

I usually spend a lot of hours digging the internet for old photos about cities that I admire: Amman, Damascus, Cairo ..etc. It’s really interesting to see how these cities evolved!

This time, I’ll be sharing some photos of Amman, from the 20’s till the 90’s. You’ll notice that most of them are having a nice and well-designed shop signs; which is my well-known passion!

Photos have been collected from different websites, copyrights are reserved for their owners. Captions are available for most of the photos.

Enjoy!

Authentic again!

Like any other vivid city, Amman has its own aesthetic and well-designed shop signs. Looking back at Amman’s photos from the 60’s and 70’s, up until the few ones left nowadays; one can identify the highly flavored visual identity placed above each shop entrance. The signs were designed and produced by local sign painters, using their own taste in calligraphy, colors, composition and sometimes logo design. They were the designers of their era, without any academic direction or any written guidelines to follow, just a pure spontaneous design practice.

Unfortunately, this vital craft has vanished with the rise of computer graphics and mega size printers, and nowadays it is near extinction.

As part of my participation in Amman Design Week 2016; I’ve brought back two of the authentic sign painting masters to the scene, to produce new signage for ‘The Crafts District’ shops in the Raghadan area, and to create a real encounter between the craft masters and the designers of Amman.

Curator of ‘The Crafts District’: Dina Haddadin

Text and photography: Hussein Alazaat

كأي مدينة أخرى تضج بالحياة، فإن عمّان تملك ذوقها الخاص في لافتات المحال التجارية، وبالتتبع لصور الشوارع واللافتات في عمّان منذ الستينات والسبعينات وانتهاءً بما تبقى منها في أيامنا هذه، نجد الهوية البصرية المرتبطة بنكهة المكان والأشخاص والأعمال في المدينة على لافتات جميلة فوق مداخل المحلات، تم تصميم وتنفيذ هذه اللوحات على يد خطاطي عمّان، والذين قاموا باستخدام فراشيهم وأدواتهم، وفهمهم للتصميم والتكوين الحروفي، وذوقهم بالألوان والظلال والتأثيرات، قاموا بمقام “المصممين” المتفردين بالمدينة، خاصة عندما نرى أن بعضهم تجاوز مساحة اللافتة إلى تصميم شعارات ومواد طباعية أخرى مثلاً. كل ذلك بمنهج عفوي بسيط يتكلم مع الشارع والزبائن وضيوف المدينة بلهجة واضحة مفهومة ثنائية اللغة في معظم الأحيان.

لسوء الحظ، تم القتل التدريجي لهذه الحرفة مع ظهور الكمبيوتر والطابعات الضخمة وانخفاض الذوق العام والسعي نحو السرعة والرخص، يمكننا القول بأن حرفة صناعة الآرمات قد انقرضت الآن بشكل كبير.
ضمن مشاركتي بأسبوع عمّان للتصميم في نسخته الأولى، قمت بالتعاون الفني مع اثنين من “الخطاطين المعلمين” القدامى لهذه الحرفة، وعملنا سوية لانتاج لافتات/آرمات جديدة لـ “حي الحرف” في مجمع رغدان السياحي، لإحياء هذه الحرفة من جديد ولخلق مواجهة جديدة بين شيوخ هذا الكار ومصممي عمّان.

 

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Signpainter Abed Jukhy (Born in Amman, 1930) Holding his tools box. Mr. Jukhy is practicing his craft with great passion! despite all of the health issues he is facing! He is still offering his services in his authentic workshop that is located  in Prince Mohammad street, since the 1960’s.

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Islamic Seals Design

I was impressed with this amazing collection of Islamic seals on different manuscripts from various Islamic cultures and ages, this database was collected by Chester Beatty Library in Dublin from their own fine archive of manuscripts, more than 2600 seal impressions were found and documented!

Yes, 2600!

I’ve picked some of them to share with you, copy rights are reserved to Chester Beatty Library:

 

My next little project is to make one seal for my name inspired by these designs.. stay tuned!

 

أبو الصبر الحزين!

في زيارة لصديقي حمزة، وجدت عنده هذا العمل المطرّز يدوياً:

توقفت مذهولاً أمامه. واختلطت عليي الأفكار والرؤى. هل أنا أمام العشاء الأخير لدافنشي؟ أو جورنيكا بيكاسو؟ أم هو عمل ملحمي من نوع مختلف!

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