Used Book Shops in Amman

I just LOVE used books!

Nothing’s more magical to own a book after someone have read it, dog-eared some pages, and lift some doodles and notes here and there! Sometimes I find a book signed by its author, with few little words to another special person to her/him.. that is super incredible! Or a book that was exchanged between friends, family members and so on.. All of these details make the world of used books the right place for me.
Amman, as all​ ​other cities in the world have its own shops that sell second-hand books, hereunder my list for the best ones:

متاجر الكتب المستعملة في عمّان

• Mahall al-Maa محل الماء

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Small shop located in Quraish street behind the Amman’s nymphaeum, owned by Hamzeh, a wonderful person, and a true booklover, Hamzeh has a massive collection of books, mostly rare ones! I spend hours and sometimes days overwhelmed his gems! Previously, Hamzeh inherited his late father’s​ ​bookshop under the name of Khazanet Aljahith, until 2017,​ ​he decided to launch his own new venture with a new brand name, and that was: Mahall al-Maa, which translate into English as: The Shop of Water, the concept behind that name came from the fact: water is essential for every life form, and so the books! Hamzeh believes in this value, therefore he launched a new initiative of its kind, he called it:”Take a book and pay as you wish!” Just to support the reading culture!

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Despite the difficult economic situation of the country and this business, in particular, Hamzeh’s keeps his promise and encourage
his ‘Guests’ to maintain the reading habit, and he open a 24/7, even if that costs him a lot. A Nobel man! Please visit his facebook page from here.

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Theeb film, Arabic calligraphy in the OSCARS

At one evening in October 2013, I sat down with the Jordanian director Naji Abu Nowar to discuss the collaboration between me and him to design the Arabic main title and credits for his new feature film Theeb, I was more than excited to take the job, it was a great honor for me to work with such a brilliant director like Naji, for a great shining opportunity in the Arab film industry.

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My initial quick sketches with Naji, discussing styles and calligraphy approach.

We agreed to adapt the Nastaliq calligraphic style, that relates to the Ottoman official signage system that was popular in our region in 1916, where the film’s events are happening in. Continue reading →