Mamdouh Al-Sharif ممدوح الشريف

Mamdouh Al-Sharif, Damascus, Syria, 1885 – 1934.

An Arabic calligraphy artist from Syria, a pioneer in many calligraphic forms, and a revival of the Kufi scripts in the Levant. He practiced and taught calligraphy in his studio in Damascus, and produced significant artworks in Syria and the Arab world.

Today, I’m sharing with you a selected works of Mamdouh Al-Sharif in the Kufi scripts which I believe he exceeded at and added a new Arabian touch to the art of calligraphy whilst the Ottomans were controlling and limiting the Arab people’s life and even their Art back then!

The sources of these works are from my archive and from the internet.

0

ومن جرّب المجرب حلت به الندامة، من صدق غنم
Mamdouh has experimented in many styles, I’m starting with this minimal one,  he played with the Square Kufi blocks to create an avant-garde piece. 

1

الثقافة
A masthead/logo for a cultural magazine that was published in Damascus. We see the courage usage of Kufi as a typographic line. 

Continue reading →

Advertisements

Ancient Typography from Damascus

After some excavations, I’ve found these beautiful typographical designs of the Safwat-el-Molk mausoleum’s dome, the mausoleum was removed and replaced by the Havana cafe building. It was built between 1110 and 1111 AD for the wife of the Seljuk ruler of Damascus.

Please enjoy looking at these superb and rare Damascene Seljuk Kufic samples.

Info and illustrations from: Ecochard, M. and Sauvaget, J. “Le Tombeau de Safwat al-Molk.” In Les Monuments Ayyoubides de Damas, 1-13. Paris: Editions Boccard, 1938.

 

 

Screen Shot 2017-02-22 at 2.01.02 AM.png

The dome before demolishing.

 

Screen Shot 2017-02-22 at 2.27.33 AM.png

بسم الله الرحمن الرحيم إن الله وملائكته

screen-shot-2017-02-22-at-2-00-30-am

الذين آمنوا صلوا عليه وسلمو تسليما صدق الله العـ

Screen Shot 2017-02-22 at 2.00.40 AM.png

الحمدلله على أفضاله —- على محمد وآله

 

 

 

screen-shot-2017-02-22-at-2-00-45-am

unreadable

 

 

 

 

Taste and contradiction

Few day ago, Queen Rania has published a nice photo on her Instagram celebrating the valentine day with King Abdullah II:

IMG_3252.PNG

Minimal gray tones outfit, and simple heart shaped cake! 

 

Immediately my eyes caught the artwork in their room: a beautiful piece by the renown Tunisian artist Nja Mahdaoui.

Nja is well known, his works are surrounding the world in all directions, and of course, he was the first Arab artist that wraps entire airplanes with his art, and maybe he is the first artist who uses lettering and calligraphy on such canvas – I really envy this man!

So, no wonder that the Queen and the King picked such a sophisticated piece of art in their home. A great taste by a chic couple!

Nja created a new movement for the Arabic calligraphy art, he was the pioneer of manipulating the Arabic letters to create a designed visuals, before even the Arabic calligraffiti was born.

Now we come to the second photo.

Sometimes, I waste my time by following up the news in my region, and especially the news of the war in Syria. So, I happened to see an interview with Bashar Al-Assad from his home or presidential palace.. I’m not sure, then my eye caught this:

Screen Shot 2016-06-20 at 11.44.57 AM.png

Modern home design pieces, elegant cufflinks, short suit jacket sleeves (!), hands are clashing, eyes are weird, and finally: A beautiful framed artwork by Mounir El-Shaarani!

What a coincidence!

Let me talk a bit about Mounir:

Mounir El-Shaarani is an iconic influence for all Arab artists and designers (I excluded Arab classical calligraphers because they don’t like him) I met him once in 2008 here in Amman, such a lovely and wise man.

Mounir has worked in diverse areas, he contributed to the Arabic type design by creating TheMix Arabic font with Pascal Zoghbi and Lucas de groot. Also he produced too many book cover designs and inner layouts for famous Arab magazines.

Mounir has another approach when it comes to his practice in Arabic calligraphy, he focused on the content very deeply, then he executed the artwork with minimal colors and symmetrical classical layouts, the content issue makes Mounir an exceptional artist. For example, if you looked at all Muslim and Arab calligraphers in the past 500 years you’ll see all of their works have either a Quraanic or religious content, only!with a very few religious poetry as well. There is no prominent calligrapher has the courage to write something about the people needs, the street issues or about war or sufferings that a nation is facing. But Mounir; beside his modern poetry works and the common sufism quotes; he has extended his scope to reach the Syrian revolution matter in 2011, he produced stunning works that celebrate freedom, prisoners, arrested women and the national Syrian unity against the war.

299853_442087409199910_1908049822_n

Artwork about the “Free Woman”

149176_444842402257744_273969778_n

Artwork about the “Homeland”, inspired by the colors of the Syrian flag. 

No one has the guts before Mounir to do that, many calligraphers think in a naive way, they want to write any Quraanic verse and sell it directly to any wealthy customer, this is so pathetic in my opinion! And it has caused that freezing in the development of Arabic calligraphy art.

11120071_822732597802054_7576487507055480716_n.jpg

A Poster that urges the world to stop killing in Syria: No one is listening dear Mounir.

 

I can’t believe that such a bloody beastly man like Bashar Al-Assad is interested in Mounir’s work! It’s totally against Assad’s and his regime!!

Something wrong!

It was clearly intentionally to put this piece and to show it in a good presence in the interview, I think they want to send a message to the world:

“Dear World,

We are a classy people and a very humanistic regime, we appreciate art and design, we support local artists, and we do love Damascus / Sham and admires Mahmoud Darwish’s words about it, we are the truly civilized face of Syria, please help us to fight *terror.

*terror: we mean by it all of the children, women, men, art, history, agriculture, folklore, past, future, knowledge, education, happiness, peace, joy and smiles in Syria.”

Yours sincerely,
Assad and Co.”

I’m very sad to finish this post with such a sarcastic/tragic way. I wanted to highlight the true taste of a wise man with his family from Amman that he loves to keep safe, and 200 km north of it a vampire beast of Damascus is lying to us, and to the whole world.

Theeb film, Arabic calligraphy in the OSCARS

At one evening in October 2013, I sat down with the Jordanian director Naji Abu Nowar to discuss the collaboration between me and him to design the Arabic main title and credits for his new feature film Theeb, I was more than excited to take the job, it was a great honor for me to work with such a brilliant director like Naji, for a great shining opportunity in the Arab film industry.

IMG_9458.JPG

My initial quick sketches with Naji, discussing styles and calligraphy approach.

We agreed to adapt the Nastaliq calligraphic style, that relates to the Ottoman official signage system that was popular in our region in 1916, where the film’s events are happening in. Continue reading →

Meeting Helmi El Touni

Yes! I finally met Helmi El Touni! A great master that filled my childhood with bold drawings and unique calligraphic styles.. I met him during Nuqat 2015 conference in Kuwait,  it was one of best things happened to me in my entire life!

I can’t hide my happiness! He also signed the Yasmin Taan book about him, and he wrote there: To dear Hussein, the precious colleague 🙂 

Unbelievable moment!

Another great thing besides all of this, was El Touni exhibition, where he showed the original artworks and sketches of his old works, seeing those masterpieces face to face was a great honor for me.

El Touni is a special character, his thoughts and works will be always inspiring me.

 

12

Continue reading →

أبو الصبر الحزين!

في زيارة لصديقي حمزة، وجدت عنده هذا العمل المطرّز يدوياً:

توقفت مذهولاً أمامه. واختلطت عليي الأفكار والرؤى. هل أنا أمام العشاء الأخير لدافنشي؟ أو جورنيكا بيكاسو؟ أم هو عمل ملحمي من نوع مختلف!

IMG_6364

Continue reading →

Calligraphy workshop in DAH

In March 2015, I was invited to conduct a workshop for the design students at the Dar Al Hekma University in Jeddah, during its international design symposium: Reinventing the Vernacular. My workshop theme was ‘Contemporary Arabic Calligraphy’, which I introduced my vision of developing the art of Arabic calligraphy, and how it can be blended into other modern visual forms, and keeping its soul and originality in the same time. The workshop has focused on the practical aspects, by asking students to sketch, play, experiment and then try to come up with genuine artworks that reflect each student own style and point of view.

Continue reading →